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Elaine Rosenberg Miller

“A” is for Auschwitz

My mother didn’t have a number tattooed on her forearm.

By the time she arrived in Auschwitz, on May 27, 1944, they had stopped tattooing. They resumed a few weeks later.

Neither my father nor his siblings had tattoos. They had fled to U.S.S.R. and were never imprisoned in a German camp.

Nearly all of my parents’ post-war friends had them.

For me, growing up as a cowgirl wanna-be, free to pursue any interest I had (ballet, Girl Scouts, piano lessons), tattoos were just part of life.

They were just there.

I never asked how my family how they got them.

How very strange, in retrospect.

Perhaps I had an inner boundary that I felt I could not cross.

I knew better than to ask if it had been painful.

I never asked if they could be removed or if my relatives even wanted them removed.

The tattoos were just part of them, like their Polish/Romanian/Yiddish accents.

The tattoos somewhat faded over the years.

When I was young, they had been jet-black. You could see them from across the room.

When my aunts and uncles aged and their skin thinned, the marks seemed to become more bluish-green.

Or at least, I hoped they did.

About the Author
Elaine Rosenberg Miller writes fiction and non-fiction. Her work has appeared in numerous print publications and online sites, domestically and abroad, including JUDISCHE RUNDSCHAU, THE BANGALORE REVIEW, THE FORWARD, THE HUFFINGTON POST and THE JEWISH PRESS. Her books,, FISHING IN THE INTERCOASTAL AND OTHER SHORT STORIES, THE CHINESE JEW. THE TRUST and PALMBEACHTOWN are available on Amazon and Kindle.