Hadara Ishak

Hate Isn’t Music: When Antisemitism Takes the Stage, the Law Must Respond

What does it say about a society when a performer can scream “Death to the IDF” in front of 200,000 people, and the music keeps playing?

That’s exactly what happened at Glastonbury, the United Kingdom’s most celebrated music festival. Instead of a celebration of art and freedom, the stage became a platform for open incitement. Thousands chanted along. BBC cameras rolled. Security guards stood by. And no one shut it down.

Let’s stop pretending this is just about politics. This was a mass chant for the murder of Jews in uniform. The IDF isn’t a concept; it’s your cousin in Be’er Sheva, your niece on the Lebanon border, and your friend’s son doing reserve duty. This was a death wish for Jews. And it was met with applause.

And when the crowd roared, “Free, Free Palestine,” let’s not be naïve. In that moment, it wasn’t a call for coexistence or diplomacy. It was chanted alongside “Death to the IDF” and “From the river to the sea.” It was weaponized as a slogan for ethnic cleansing. In this context, “Free Palestine” meant “Kill the Jews.”

Where Are the Consequences?

For the artist? Is Bob Vylan being charged with incitement? Will he be banned from future festivals? Stripped of broadcasting access? Or will he be booked again next year to even louder cheers?

For the festival? Will Glastonbury organizers be held accountable for giving him the mic and the stage? Will their licenses be reviewed? Will their security protocols be investigated? Or will they release another weak statement and move on?

For the BBC? They aired it live. They broadcast “Death to the IDF” into British homes. They enabled the hate. Pulling the segment hours later isn’t accountability; it’s PR. Who approved the stream? Who gets fired?

For the police? Why wasn’t the performance stopped in real time? Why weren’t the chants considered an immediate threat? Where was the intervention as thousands joined a call for violence?

Because if a performer had screamed “Death to Muslims,” “Death to Black people,” or “Death to gays,” the lights would have gone out immediately. There would be arrests. Lawsuits. National soul-searching. But when it’s Jews, the silence is deafening, and the show goes on.

Laws Without Enforcement Are Just Words

Yes, the UK has laws against incitement to racial and religious hatred. But what good are they if no one enforces them at the moment they matter most?

We need more than investigations weeks later. We need legal mechanisms that shut down hate in real time:

  • Immediate shutdown of events where incitement occurs
  • On-site arrests and detentions for performers who call for violence
  • License reviews and fines for venues and organizers who fail to act
  • Mandatory oversight on live broadcasts with the power to cut feeds immediately

This isn’t just negligence; it’s complicity. 

Jewish Youth and Families Are Watching

What happens on stage doesn’t stay there. It echoes across social media and into dorm rooms, synagogues, and classrooms. It tells Jewish teens and families everywhere: your safety isn’t worth protecting, your grief isn’t worth acknowledging.

To Jewish parents, what do we tell our children when the crowd cheers for our death, and no one intervenes? To Jewish students, what do we say when classmates post the video as if it’s heroic? To Jewish communities, how do we explain that even at a music festival, our pain is entertainment?

A Call to Jewish Resilience and Global Accountability

To our allies, organizers, lawmakers, and leaders: it’s time to stop hiding behind vague condemnations and start enforcing real consequences. Jewish communities cannot afford to wait for another chant, another stage, another viral video of hatred unchecked.

We need laws that aren’t just written but enforced. And we need a society that doesn’t hesitate to defend its Jewish citizens the way it would defend any other group.

Because when you let “Death to the IDF” ring out in the heart of a music festival, the damage doesn’t stop with the echo. It settles into every Jewish heart with a familiar chill: we are still alone.

Make the stage safe again. Not just for Jews but for all of us.

About the Author
Before coming to the Jewish Future Promise, Hadara had a career in both the for-profit and not-for-profit worlds. She was an entrepreneur, building Jan Micolle into a successful women’s clothing manufacturing company. After Jan Micolle, she was vice president of distribution and a co-producer at Imagination Productions, an independent documentary film company focused on the Jewish world.
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