Joshua Hammerman
Joshua Hammerman
Rabbi, award winning journalist, author of "Embracing Auschwitz" and "Mensch-Marks: Life Lessons of a Human Rabbi"
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‘Oslo,’ meet ‘Fauda’

On the threads of hope that link a new play about the 1993 peace process and a hit Israeli TV drama set in the West Bank
The cast of 'Fauda,' the YES drama about undercover agents in the West Bank, co-created by Avi Issacharoff, who writes for The Times of Israel (Ohad Romano)
The cast of 'Fauda,' the YES drama about undercover agents in the West Bank, co-created by Avi Issacharoff, who writes for The Times of Israel (Ohad Romano)

Yesterday was the long-awaited Broadway opening of the play “Oslo,” which I saw in previews last Sunday. I eagerly concur with the enthusiastic New York Times review published today.

Contrary to what one might expect, given the title, the play is decidedly not a naive, nostalgic ode to what might have been, but rather a balanced, sophisticated exploration of how haphazardly history is made, and how quickly it can be changed – both positively and negatively. It does not sugarcoat what transpired in the years following that hopeful handshake on the White House lawn, and the plodding, incremental process that could not keep pace with those who sought to sabotage it. Neither does it presume that all the fallout from the agreement was negative (for instance, the process yielded a stable peace with Jordan). It also highlights how little the US had to do with this agreement, as well as how possible such a deal could still be, if the spirit were willing.

At the same time, I’ve been feasting on “Fauda” on Netflix. This gripping Israeli TV series (co-created by T.O.I’s Avi Issacharoff) has garnered superb reviews for its realistic, three dimensional portrayal of the Israeli Palestinian struggle through the eyes of a secret Israeli unit that infiltrates the infrastructure of West Bank terror groups.

Click to see the co-creators’ recent appearance at AIPAC.

Fauda means “chaos” in Arabic, a reflection of both the messiness of Palestinian life as well as the chaotic world of this undercover group.

On one level, the situation appears so intractable and hopeless, but on closer examination, we find that what unites the two sides of this conflict far exceeds what divides them. They are joined by their very human responses to the chaos around them, and in particular the desire to protect and avenge their loved ones. For protagonists on both sides, the prime motives are not nationalism and ideology, but love and retribution. And that love crosses boundaries – a passionate affair between a Palestinian and an Israeli lies at the core of the narrative.

At their AIPAC presentation, the creators spoke of how the show has been enthusiastically received on all sides of the divide, even among Hamas groups. That in itself is a quasi-miracle. Despite the violence that is so pervasive, the show offers a glimmer of hope that the level of understanding between the two sides can be raised as people recognize the common humanness of the Other.

If the people who negotiated at Oslo could have time-traveled 25 years into the future and seen “Fauda,” undoubtedly it would have shocked them, possibly to the point of giving up hope on their quixotic enterprise. But without that first, halting, clumsy step in Norway, where would we be right now? It’s impossible to know, but it’s not hard to conceive that the situation would be even worse. No peace with Jordan, no functioning Palestinian police that cooperates with Israel, no infrastructure in place for a potential two-state solution – and no recognition of Israel’s right to exist, explicitly by the Palestinians and implicitly by other Arab states.

Oslo planted the seeds that are currently being reaped in fiery rage in “Fauda,” but seeds have a way of flying in the wind, only to land and bear fruit in more hospitable soil. We don’t know where and we don’t know when. But we do know that when there is peace some day, it will be because at long last, what was envisioned at Oslo, and what can be seen beneath the surface of “Fauda,” was that this tiny spot of contested land can be a place of hope and human flourishing for all.

I highly recommend seeing both shows – concurrently.

About the Author
Award-winning journalist, father, husband, son, friend, poodle-owner, Red Sox fan and rabbi of Temple Beth El in Stamford, CT. Author of Mensch-Marks: Life Lessons of a Human Rabbi – Wisdom for Untethered Times and the upcoming book, "Embracing Auschwitz: Forging a Vibrant, Life-Affirming Judaism that Takes the Holocaust Seriously." Rabbi Hammerman was a winner of the Simon Rockower award, the highest honor in Jewish journalism, for his 2008 columns on the Bernard Madoff case, which appeared first on his blog and then were discussed widely in the media. In 2019, he received first-prize from the Religion News Association, for excellence in commentary. Among his many published personal essays are several written for the New York Times Magazine and Washington Post. He has been featured as's Conservative representative in its "Ask the Rabbi" series and as "The Jewish Ethicist," fielding questions on the New York Jewish Week's website. Rabbi Hammerman is an avid fan of the Red Sox, Patriots and all things Boston; he also loves a good, Israeli hummus. He is an active alum of Brown University, often conducting alumni interviews of prospective students. He lives in Stamford with his wife, Dr. Mara Hammerman, a psychologist. They have two grown children, Ethan and Daniel, along with Chloe, Casey and Cassidy, three standard poodles. Contact Rabbi Hammerman: (203) 322-6901 x 307