The Beauty of the Blank Page: Springsteen, School Drop Off, and the Work of Elul
This Monday, August 25, will be a day of convergence for me—a day when three seemingly unrelated moments come together in a way that feels deeply connected.
First, I will drop off my daughter for her freshman year of college. Like so many parents before me, I will watch her step into a new chapter of independence, carrying all of my hopes and prayers with her. Second, it is Rosh Hodesh Elul, the first day of the Hebrew month that leads us into the High Holy Days. And third, it is the 50th anniversary of the release of Bruce Springsteen’s Born to Run, the album that transformed his life and, in many ways, has been a soundtrack of mine.
The first song on the album is Thunder Road. More than just an opening track, it is a call to set out, to leave the safety of home and step onto the open road. The song never tells us the destination; the significance is in the decision to go. To risk, to search, to believe that redemption lies somewhere ahead.
In Springsteen’s Broadway show, he introduced Thunder Road by recalling a seminal moment in his own life—when he was leaving home, stepping away from the world he had always known and discovering the beauty and mystery of what lay before him. He said:
“There was nothing like that moment in your life—being young and leaving some place, all that youthful freedom, finally being untethered from everything you’ve ever known, the life you’ve lived, the past, your parents, the world you’ve gotten used to and that you’ve loved and hated. Your life layin’ before you like a blank page. It’s the one thing I miss about getting older. I miss the beauty of that blank page, so much life in front of ya. Its promise, its possibilities, its mysteries, its adventures. That blank page, just layin’ there, daring you to write on it.”
It is that moment—of leaving, of daring to write on the blank page—that makes Thunder Road not just a song, but a parable for life.
For me, that image comes alive right now, as I look at my daughter beginning this new chapter: the beauty of the blank page. And it is exactly what Rosh Hodesh Elul invites each of us to see in our own lives: that no matter our age or stage, our story is not yet finished.
The Torah itself gives us this charge. In the final commandment, God says: Kitvu lachem et ha-shira ha-zot, “write down this poem.” The rabbis understood this as the mitzvah (obligation) for every Jew to write a personal copy of the Torah. But more than that, it is a call to write the Torah of our own lives. Not with parchment and ink, but with choices, actions, relationships, and love.
Elul is the time when God draws near, when we are invited to ask: What story am I writing? What will the Sefer Torah of my life contain when it is unrolled? Will its letters shine with kindness, generosity, and faith—or will there be smudges and gaps? The miracle of this season is that the story is not over. Just as a scribe repairs and renews a Torah scroll, so too can we correct, rewrite, revise, and begin anew.
And so, these three moments—the milestone of dropping off my daughter, the turning of the Jewish calendar to Elul, and the anniversary of Born to Run—are bound together by one message: life is a blank page daring us to write on it.
As a father, I pray that my daughter writes her Torah with joy, courage, and conviction. As a Jew, I enter Elul ready to revise my own Torah, to repair its gaps and write new lines of meaning. And as a lifelong Springsteen fan, I hear again the call of Thunder Road—that youthful freedom, that invitation to run toward the blank page, to risk, to dare, and to create the story of our lives.
