Sarah Tuttle-Singer
A Mermaid in Jerusalem

The other Home Front

The Home Front Command sends alerts.

It tells us how many seconds we have to reach shelter. It reminds us to keep water nearby. It has infographics. It has AUTHORITY.

But that’s not the home front I’ve been thinking about.

I’ve been thinking about us parents.

Not the ones in uniform — the ones in pajama bottoms at 7:13 a.m., staring at a group chat that says school is canceled again.

Especially us parents of special-needs kids.

Because for us, war doesn’t begin with a siren.
It begins with a disruption.

Our children do not care about geopolitics. They do not track Supreme Leaders or regional escalation or the difference between a precaution and an emergency.

They track routine.

Tuesday is meant to be school. And Purim in their little costumes.

My son was going to be a pirate
School is the Lion King backpack.

The same snack at 10:15 and the same hallway that smells faintly of rainboots and pencil shavings.

When school is canceled, it is not an inconvenience. No: It is structural collapse.

And so the real Home Front Command lives in kitchens.

It lives in the mother who recalculates the day before the coffee has even cooled.

It lives in the father who measures the distance from shower to stairwell and doesn’t say out loud that he is measuring it.

It lives in the parent who knows that a siren is not just loud — it is neurological. It is a sensory assault layered on top of a nervous system already wired tight.

The rest of the country hears the boom and thinks: impact.

The parent of a special-needs child hears the boom and thinks: fallout.

Because the meltdown that follows may have nothing to do with fear of missiles.

It may be about the sandwich cut wrong.

It may be about the ride that didn’t come.

It may be about the invisible fracture in a day that was supposed to hold.

And then there are the images we parents see.

The Iranian children killed.

Even when we know it was not Israel’s fault. Even when we understand the difference between regime and people. Even when we can trace responsibility with clarity.

It doesn’t matter.

Children are children.

Their small shoes in the rubble undo something in us.

Because every child’s death reminds us how thin the membrane is.

How fragile a classroom is. And a bedroom, too.

How easily a ceiling becomes roaring sky.

And suddenly the siren here feels closer.

Suddenly the architecture of routine feels even more necessary — and more fragile.

We hold our own children tighter not only out of fear for them, but out of grief for someone else’s.

And that grief doesn’t cancel loyalty.

It deepens it.

It reminds us what we are trying to protect.

And so these parents hold two fronts at once.

Outside: missiles, headlines, people on television with maps.

Inside: social stories, medication schedules, weighted blankets, the choreography of calming a body that does not understand why the air feels different.

They are fielding WhatsApp updates while crouched on shelter floors.

They are absorbing screaming like shrapnel.

They are whispering, “We’re okay,” not as a statement of fact, but as an act of construction.

In a country this small, we all know someone who knows someone under fire.

But inside apartments in Bersheva and Jerusalem and Beit Shemesh and Haifa and TLV, there are quieter battles unfolding.

Parents building normal out of fragments.

Parents turning stairwells into forts.

Parents turning bomb shelters — even ancient Byzantine wells — into places where WiFi works and a dog curls at someone’s feet and a child is coaxed back from the edge of overwhelm.

There are no medals for this.

No press briefings.

No dramatic footage of a mother cutting a sandwich into exact squares because today exact squares are the difference between calm and chaos.

But if the fate of a country rests on endurance, then it rests here too.

On the parent who keeps the washing machine running.

On the parent who turns on the stove to make eggs even when their hands are shaking.

On the parent who reads about children in another country and feels horror anyway — and still shows up for the morning.

The official Home Front Command measures seconds.

The real one measures patience.

And right now, it is holding the line.

About the Author
Sarah Tuttle-Singer is the author of Jerusalem Drawn and Quartered and the New Media Editor at Times of Israel. She was raised in Venice Beach, California on Yiddish lullabies and Civil Rights anthems, and she now lives in Jerusalem with her 3 kids where she climbs roofs, explores cisterns, opens secret doors, talks to strangers, and writes stories about people. Sarah also speaks before audiences left, right, and center through the Jewish Speakers Bureau, asking them to wrestle with important questions while celebrating their willingness to do so. She loves whisky and tacos and chocolate chip cookies and old maps and foreign coins and discovering new ideas from different perspectives. Sarah is a work in progress.
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