Sarah Tuttle-Singer
A Mermaid in Jerusalem

What Hamas can never understand and never extinguish

The ‘beautiful six’ hostages insisted on creating community and bringing light into unimaginable darkness
This footage published on December 11, 2025, after being obtained by the IDF from Gaza, shows hostages Hersh Goldberg-Polin, Eden Yerushalmi, Ori Danino, Alex Lobanov, Carmel Gat, and Almog Sarusi in Hamas captivity in late 2023. (Courtesy)
This footage published on December 11, 2025, after being obtained by the IDF from Gaza, shows hostages Hersh Goldberg-Polin, Eden Yerushalmi, Ori Danino, Alex Lobanov, Carmel Gat, and Almog Sarusi in Hamas captivity in late 2023. (Courtesy)

It’s taken me over a day to organize my chaotic thoughts:

Six hostages — later murdered in a tunnel — standing close together underground, lighting a menorah. No windows. No sky. No sense of time. Just faces we now know, hands shielding a small flame from whatever draft reaches even hell.

There is nothing beautiful about the horror of it. Nothing redemptive about captivity. And yet — because we are Jews — there is this unbearable, stubborn impulse to mark time anyway. To say: tonight is different from last night. To insist on ritual even when the world has collapsed into one long agonizing night.

This is what Hamas could not understand and did not extinguish.

Judaism is not only belief; it is practice under pressure. It is community created in impossible places. A circle formed in a tunnel. A flame lit not because it will save you, but because it reminds you who you are.

The menorah is not a symbol of triumph. It is a symbol of defiance through tenderness. Of people refusing to dissolve into captives, refusing to become only bodies waiting to be traded or killed.

And this — this is what breaks me open: that even knowing the danger, even knowing how fragile they were, they chose togetherness over despair. They chose memory. They chose each other.

That is the beauty people mean when they say the Beautiful Six. Not their deaths, but the fact that in a hellscape meant to erase them, they made a small Jewish room, and let light enter.

About the Author
Sarah Tuttle-Singer is the author of Jerusalem Drawn and Quartered and the New Media Editor at Times of Israel. She was raised in Venice Beach, California on Yiddish lullabies and Civil Rights anthems, and she now lives in Jerusalem with her 3 kids where she climbs roofs, explores cisterns, opens secret doors, talks to strangers, and writes stories about people. Sarah also speaks before audiences left, right, and center through the Jewish Speakers Bureau, asking them to wrestle with important questions while celebrating their willingness to do so. She loves whisky and tacos and chocolate chip cookies and old maps and foreign coins and discovering new ideas from different perspectives. Sarah is a work in progress.
Sign in or Register
Please use the following structure: example@domain.com
Or Continue with
By registering you agree to the terms and conditions
Register to continue
Or Continue with
Log in to continue
Sign in or Register
Or Continue with
check your email
Check your email
We sent an email to you at .
It has a link that will sign you in.