Saudi moderation, don’t believe it

This undated publicity photo shows the cast and characters of “Umm Haroun,” a Saudi-made television series aired during Ramadan that has sparked controversy by offering a positive depiction of a Jewish community in the Gulf that existed before the creation of Israel. (MBC Group via AP)
This undated publicity photo shows the cast and characters of “Umm Haroun,” a Saudi-made television series aired during Ramadan that has sparked controversy by offering a positive depiction of a Jewish community in the Gulf that existed before the creation of Israel. (MBC Group via AP)
Hebrew Institute of Middle Village, now a senior citizen center, courtesy of Doug LeBlang.

In September 1954 on my first day of afternoon Hebrew School at the Hebrew Institute of Middle Village, besides learning that my Hebrew name was Shmuel Mordechai not Shmil Mutka as my grandmother told me, I noticed the cartoon posted on the bulletin board.

It was a drawing of an Israeli wearing a tembel in the middle of a circle of Arabs.  Each held a knife in their hands behind their backs.  The caption read, “Welcome to the neighborhood.”  I saw that cartoon every afternoon when I entered the classroom for the next six years.

Wars and terror would instill in me a belief that there would never be peace with the Arab counties surrounding Israel.  Yet, they almost had me believing.

The Saudis, that is. Last week, they almost had me believing that they are truly becoming moderate and really do accept Israel’s existence. Then the mask came off and my hopes all came crashing down.

What got my hopes up, all too briefly, was the controversy over a new series on Saudi Television concerning relations between Jews and Arabs in the Persian Gulf in 1948. Since Saudi Arabian society is completely controlled by its authoritarian government, it was big news that some Arabs were denouncing the TV series for depicting the Jews too sympathetically.

Wow—I thought—what a change! What a pleasant surprise! This is the Saudi Arabia that has always refused to recognize Israel or sign a peace agreement with it. This is the Saudi Arabia that has been ceaselessly spreading its message of Wahabi fundamentalist Islamic hatred around the world. This is the Saudi Arabia that, for seventy years, has been a major financer of Palestinian terrorist groups.

And not just financing—let’s not forget those crates of U.S.-made rifles that were sold to Saudi Arabia and then were discovered in PLO terrorist bases when Israeli troops entered southern Lebanon in 1978. If those were the weapons that were discovered, it’s a good bet that many other Saudi-purchased weapons were shared with the terrorists too.

But earlier this year, a delegation of presidents of American Jewish and Zionist organizations visited Saudi Arabia. These Jewish leaders proclaimed that the Saudis were becoming more tolerant and reasonable. I wanted so much to believe them.

And when I heard last week that some Arabs were attacking the Saudi TV series, I thought—for just a brief moment—that the Jews who visited Saudi Arabia had been vindicated. If Arab extremists are attacking the Saudis, then the Saudis must be the good guys, right?

But not so fast.

The producers of the series, which is called “Umm Haroun,” went public to answer their detractors and explain themselves. Since the Saudi media is completely controlled by the Saudi government, we may assume that what the producers said is consistent with what the regime officially wants. As the Times of Israel noted, “producers [in Saudi Arabia] must heed red lines set by the region’s autocratic rulers.”

That’s a polite way of noting that Saudi television producers who don’t toe the government line could end up like Jamal Khashoggi, the exiled Saudi dissident who was kidnapped by Saudi agents and dismembered inside a Saudi consulate in Turkey.

So here it is—the Saudi government line, as articulated by Ali Shams, the head writer for “Umm Haroun,” in an interview with the Associated Press: “We differentiate between Jews and Israel. Israel occupied Palestine and committed atrocities against the Palestinian people.” Producer Emad al-Enazy added: “Our work has nothing to do with politics or normalization. The Palestinian cause is our cause.”

As if that were not clear enough, Prince Turki al-Faisal, a prominent member of Saudi Arabia’s ruling family and a former intelligence chief for the regime, gave a prime-time interview to clarify where Riyadh stands. He explained by way of a weird anti-Israel conspiracy theory: “The main promoters of this idea of normalization are Israel, the leftist Palestinian organizations and other movements that are hostile to the kingdom.”

There you have it, in black and white. The Saudis still hate Israel and slander its good name with blood libels about “atrocities.” The only kind of Jews they can tolerate are those that lived as third-class citizens in the Arab countries before 1948.

“Umm Haroun” depicts the Saudi version of the Good Jew—the one who lives submissively under Muslim domination. They have a word for that in Arabic: “Dhimmi.”

Yes, the Saudis occasionally find themselves at odds with some group or government that is anti-Israel; hence al-Faisal’s reference to “leftist Palestinian organizations,” and the Saudis’ well-known tensions with Iran.

I won’t deny that Saudi and Israeli leaders may be dealing with each other under the table as they fight the common enemy in Iran, but it’s just that and it does not mean the Saudis now accept Israel or will officially do so any day soon.

So, let’s not kid ourselves. Let’s not pretend to see “moderation” where there isn’t any. The Saudi public is still being fed the same old lines about Israel. The Saudis simply haven’t changed.

That old cartoon may no longer be hanging on the classroom bulletin board, but the message is still clear.

About the Author
Stephen M. Flatow is the father of Alisa Flatow who was murdered by Iranian sponsored Palestinian terrorists in April 1995 and the author of "A Father's Story: My Fight For Justice Against Iranian Terror" available from Devon Square Press and on Kindle. He is an oleh chadash.
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