Eleven months of kaddish recitations ended (blog #45); then twelve months of being considered a mourner according to Jewish tradition (#48); and then came the Hebrew anniversary of Papa’s death, after thirteen months (#50). Now: the end of ‘The skeptic’s kaddish for the atheist’ (#51).
I inherited an affinity for numbers and their attributes from Papa.
* * *
‘The skeptic’s kaddish’ series was my undesigned response to the death of my father and to my process of returning to synagogue attendance, after a troubled three year absence, to recite the orphan’s kaddish daily for my Papa. The intensity of this experience suffused and shaped my life this year from the very start.
At different points, two trusted mentors, one an Orthodox rabbi and one a Reform rabbi, gave me like-minded feedback:
O: “You’re addicted to publishing.”
R: “This is an obsession for you.”
True, I mused, but ‘The skeptic’s kaddish’ was hardly some quick fix. Every blog post was born of days of feeling and thinking. I prayed and participated; I read and reflected; I consulted and considered, I wrote and reworked. The ideas, the sources, and the words mattered; their precision and their placement; their significance and their sounds. Mine was, perhaps, an addiction to intention; an obsession with process.
Waves of emotions battered me, driven harder by the winds of self-discovery. At times I wanted to abandon ‘The skeptic’s kaddish’; to quit shul again; to burn all of Papa’s personal effects (blog #15) to ash so that I wouldn’t be reminded of him.
|I would re-read every single blog post numerous times after publishing, disbelieving that I had lived it. The words on the screen rendered my internal mourning processes undeniable, and I would scan|
|again. Had I truly
felt that way? Did I
still? Eventually, I
didn’t, and I’d be
* * *
The year’s moments were boundless for me, spliced and looping through reels of punctuation that recorded and projected my experiences. Looking back at it now, I can identify most of my reasons for dedicating myself to this project (I’m sure others will come to me).
As I see it, I embarked upon my ‘skeptic’s kaddish’ odyssey for: 1) myself, 2) my father, 3) my family, 4) Jewish tradition. (Arguably, the adventure was wholly for my personal benefit, as my loves for my father, my family, and Jewish tradition are but reflections of my values.)
|1.||☑||Processing: I was in shock; and I needed to explore and express my thoughts and feelings. It felt surreal to go through my days as if no catastrophe had occurred. Other than my daily minyan attendance, my day-to-day life hadn’t changed after Papa’s death, until I began writing ‘The skeptic’s kaddish’.|
|2.||☑||Consistency: I wanted my outside to reflect my inside. Acting as if I remained the person I had been before Papa died felt to me acutely unnatural. Also, presenting myself as a Jew of faith praying within his religious community felt deceitful.|
|3.||☑||Connection: I needed emotional support, and I sought connection with others who themselves have struggled with faith and other facets of their Jewish identities.|
|4.||☑||Curiosity: Upon committing myself to the traditional year of mourning, it became important for me to learn about the history and meaning of the mourner’s kaddish, other Jewish mourning rituals, and Jewish eschatology.|
|5.||☑||Pride: I derived no small amount of satisfaction from the challenge of producing blog posts for ‘The skeptic’s kaddish’. I felt confident in my research and writing skills, as well as in my familiarity with the rudiments of Jewish texts and traditions.|
|1.||☑||Create: I wanted to create something unique and special in honor of Papa, which I feel he would have been proud of.|
|2.||☑||Remember: I felt it important to prompt myself and others to think about him and reflect upon our memories of him.|
For my Family
|1.||☑||Present: I felt surreally distant from my mother and brother across the ocean after I returned home to Israel from the funeral and shiva, and I wanted to connect with them by sharing my personal mourning experience.|
|2.||☐||Future: After I’d been writing for some months (blog #27), I began to think of ‘The skeptic’s kaddish’ as a family memoir of sorts – for my daughter and future children. I do hope my child(ren) will find value in the fruits of this endeavor.|
For Jewish tradition
|1.||☑||The skeptics: There are many like me who are drawn to Jewish tradition but don’t necessarily buy into all of the religious dogma – I wanted to give a voice to this group.|
|2.||☑||The lay people: I wanted to spread knowledge and understanding of Jewish mourning traditions among those (like myself) who hardly knew anything about them.|
* * *
I wanted to give kaddish a chance out of love and respect. ‘The skeptic’s kaddish’ blog series made this possible. The Jewish wisdom of ages comes down to us through our texts and traditions, but no small fraction of it is alienating to modern minds. My public exploration and exposition of ancient and contemporary texts, recorded here, is a reflection of the tension between one modern Jew’s love for his people’s noble heritage and his respect for his own faculty of reason.
The famous Jewish theologian Franz Rosenzweig (1886 – 1929) addressed this issue of Jewish study in a modern reality. In the book ‘On Jewish Learning’ Rosenzweig asserts that we moderns must, of necessity, turn to a new paradigm of Jewish learning (p. 98):
A new ‘learning’ is about to be born – rather, it has been born.
It is a learning in reverse order. A learning that no longer starts from the Torah and leads into life, but the other way around: from life, from a world that knows nothing of the Law, or pretends to know nothing, back to the Torah. That is the sign of the time.
It is a sign of the time because it is the mark of the men of the time. There is no one today who is not alienated, or who does not contain within himself some small fraction of alienation. All of us to whom Judaism, to whom being a Jew, has again become the pivot of our lives – and I know that in saying this I am not speaking for myself alone – we all know that in being Jews we must not give up anything, not renounce anything, but lead everything back to Judaism. From the periphery back to the center; from the outside, in.
This is a new sort of learning. A learning for which – in these days – he is the most apt who brings with him the maximum of what is alien. That is to say, not the man specializing in Jewish matters; or, if he happens to be such a specialist, he will succeed, not in the capacity of a specialist, but only as one who, too, is alienated, as one who is groping his way home.
It’s a long quote, I know, but how I savor it!
* * *
Franz Rosenzweig died at the young age of 42, as did the great Rabbi Moses Isserles (1530 – 1572), whom I’ve cited throughout my ‘skeptic’s kaddish’ series on the halakhot and minhagim of reciting kaddish as a mourner.
In my ceaseless, frenetic kaddish searching, I came across the 1989 song ‘Kaddish’ by Ofra Haza (1957 – 2000), who became the most internationally successful Israeli songstress of all time. Her voice pierces through a part of my soul that had been hitherto unknown to me, as I listen to her ‘Kaddish’ again and again and again and again and again. Enchanted, I read her biography, and realize… she also died at the age of 42.
Death and numbers stimulate my imagination.
* * *
I wonder if my father would have enjoyed Ofra’s music, given his severe hearing impairment (blog #19). In May, when I was in America for the unveiling of Papa’s tombstone (blog #44), Mama intentionally played Frank Sinatra songs in her car on our way to the cemetery. My father had been very fond of Sinatra; the Sultan of Swoon would often keep us company in the car because his voice was crisp enough for Papa to decipher and appreciate, despite the perpetual rattling in his one semi-functional ear.
Almost daily I continue to be reminded of Papa at unexpected moments. The hues of the sky and trees shift in the mornings when I squint in the Jerusalem sun, closing one eye and then the other. Each of my eyes perceives a different color spectrum, one bold, the other subdued. Then I remember my father’s partial color blindness and wonder, what colors did Papa see?
Yesterday I made a paper airplane for my daughter for the first time, just like Papa taught me to make. It’s a design with a blunt nose, sturdier than its pointy-nosed cousins. I remember building a virtual fleet of airplanes out of magazine postcards and launching them throughout the house in my excitement. Searching for my squadron units afterwards was a great part of the fun.
* * *
Eleven months of kaddish recitations ended; then twelve months of being considered a mourner according to Jewish tradition; and then came the Hebrew anniversary of Papa’s death, after thirteen months. Now: the end of ‘The skeptic’s kaddish for the atheist’.
But I still go on.
* * *