Ethan Kushner
Seeking honest leadership, and new narratives.

The Super Bowl Halftime Show: America’s Biggest Stage for Culture… and Politics

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Every year, the Super Bowl halftime show delivers the same promise: 15 minutes of spectacle, celebrity, and mass entertainment on the largest televised stage in the world.

But the halftime show has become more than a musical intermission. It is now a cultural mirror, a political Rorschach test, and, at times, an unexpected battleground in America’s broader identity wars.

A National Ritual That Became a Global Platform

What began decades ago as modest marching band performances has evolved into one of the most coveted stages in entertainment. Super Bowl halftime performers are no longer just musicians; they are global symbols.

Michael Jackson. Beyoncé. Madonna. U2. Rihanna. Kendrick Lamar.

These are more than pop stars.  They are cultural institutions. And when they step onto the Super Bowl stage, their presence carries meaning far beyond music.

With an audience of more than 100 million Americans and millions more worldwide (and I am one of them – I can produce a picture of my red eyes from a sleepless night), the halftime show has become, arguably, the largest shared cultural moment remaining  in a fragmented society.

And in today’s America, culture is never just culture.

When Performance Becomes Statement

Over the past decade,  Super Bowl halftime shows have increasingly carried political undertones. Sometimes intentional, sometimes projected onto them.

Jennifer Lopez and Shakira’s 2020 performance included imagery interpreted by many as commentary on immigration and border policy. Beyoncé’s performances have sparked debates about race, policing, and activism. Kendrick Lamar’s work often explores inequality and identity in ways that cannot be separated from the American experience.

By the way, this is exactly what art and music are supposed to provoke in each and every one of us.

Sometimes the message is explicit. More often, it is symbolic, expressed through language, choreography, visuals, or simply the act of representation.

2026: Bad Bunny and the New Culture War

The 2026 Super Bowl halftime show, headlined by Bad Bunny, has already ignited one of the most intense cultural backlashes in recent memory.  And leading the charge?  None other than Donald Trump, President of the United States.

Bad Bunny’s performance focused on cultural pride, joy, and unity. He chose to celebrate Pan-American identity and inclusion rather than delivering explicit political rhetoric. Still, his very presence became a flashpoint. Not for what he said on stage, but for what his identity represents in a nation grappling with immigration, diversity, and belonging.

In this context, President Donald Trump’s public denunciation of the show, wasn’t merely a critique of artistic taste. It was a political attack on the symbolism of representation itself.

For those who do not follow the President on Truth Social, here are the exact quotes:

“The Super Bowl Halftime Show is absolutely terrible, one of the worst, EVER! It makes no sense, is an affront to the Greatness of America, and doesn’t represent our standards of Success, Creativity, or Excellence.”

“Nobody understands a word this guy is saying, and the dancing is disgusting, especially for young children that are watching from throughout the U.S.A., and all over the World.”

“This ‘Show’ is just a ‘slap in the face’ to our Country, which is setting new standards and records every single day — including the Best Stock Market and 401(k)s in History!”

“There is nothing inspirational about this mess of a Halftime Show and watch, it will get great reviews from the Fake News Media, because they haven’t got a clue of what is going on in the REAL WORLD — And, by the way, the NFL should immediately replace its ridiculous new Kickoff Rule.”

Signing off his barrage of tweets with:

“MAKE AMERICA GREAT AGAIN!”

A Travesty in Light of Political Reality

Trump’s tirade comes at a moment of real pain for Hispanic communities across the United States. Bad Bunny’s outspoken criticism of immigration enforcement, especially the horrific ICE raids across America, resonates with many Hispanic communities that feel targeted and marginalized.  Immigration enforcement under Trump’s administration has included raids and operations that have disproportionately affected Latinos, including U.S. citizens, sparking fear and outrage across communities.

In this context, dismissing a cultural performance rooted in Latino identity is not just a matter of taste.  It is dismissive of the very people whose labor, culture, and votes helped shape modern America.

Hispanic voters are central to U.S. politics. Trump’s gains with Latino voters in the last election were real, helping him in key swing areas. But that support was often tied to economic issues and may not withstand community concerns about immigration enforcement and cultural hostility.

To publicly trash a landmark cultural moment for a Spanish-language artist while deportation fears loom large are tone-deaf at best and politically counterproductive at worst.

Hispanic and Latino communities are among the fastest-growing demographics in the country and play a central role in shaping culture, entertainment, and politics.

To treat Spanish language and Latino culture as outsiders in a country where millions of citizens identify with those very identities is to misunderstand the nation’s present — and its future.  But this fact should come to no surprise to those opposed to the current President.

Conclusion: The Stage We Can’t Escape

The Super Bowl halftime show remains what it always has been.  Music and spectacle. But it’s also something more: a reflection of our national identity and struggles.

Bad Bunny’s performance wasn’t designed to divide. But in a country where questions of language, representation, and belonging intersect with politics and policy, even joy becomes political.

The real travesty is that with all the turbulent issues facing the U.S., this President felt the urge to negatively comment on a halftime show. The real travesty is that the comment came at the expense of a community that is central to America’s future; a community that too often is made to feel as though it doesn’t belong.

And to those who care about sports. The Seattle Seahawks beat the New England Patriots to win their second Vince Lombardi Trophy in franchise history.

About the Author
Ethan Kushner is a writer, strategist and marketing executive focused on Israel–Diaspora, US-Israel relations and civil-society-led nation branding. He is founder of the Kerem Alliance, an NGO working to counter polarization by advancing a more credible, values-based global conversation about Israel. He is also Chair of American Democrats in Israel, an organization of American Israeli supporters of the US Democratic Party and Israeli identity with a mission of supporting U.S. Democratic political candidates who ally with Israel and Jewish values. His work explores democracy, identity, and the limits of government-led public diplomacy in an increasingly fractured media landscape.
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