David Rosh Pina

From Jesus to the Wild

David Rosh Pina
David Rosh Pina

Every day when I have breakfast, I take three packs of sugar from the cafe back home. This way, I do not spend money buying sugar. It is a tradition, almost a superstition. I open the sugar container slowly to put the sugar from the packs inside like a child opening a pickle jar, but today I am on the phone, and I have to do it with one hand only. Except the cover does not move. I get frustrated. Once it unscrews, I throw the cover to the ground in a fit of rage. I have always had this tendency for animism since I was a child. When I am angry and irrational, I give objects intentions, and I punish them, I beat them, I scream at them, I reason with them.

The moment the cover splashes into little pieces on the ground, I feel ridiculous and self-aware. A grown forty-year-old man is punishing a sugar container cover for not opening fast enough. First, I think I need anger management, but then I get pragmatic, and I realize I need to get a new sugar container because this one does not have a cover, and it is useless.

I leave the apartment to buy a sugar container jar at the Max store. In a true Tel Aviv way, the street is much warmer than the apartment, cars and voices mix in a cacophony of sounds. Wolt electric-bicycle drivers flood the sidewalks like hired killers stalking pedestrians. The local Canadian lady walks her dog while wishing everyone a good morning. I cross the street, and I get into the Max store. A different world altogether, calm, silent, almost like a museum. A museum of consumerism and low prices. The wonders of Chinese over-production. I breathe in, I calm down. The morning can still be pleasant.

There are at least 3 types of containers: glass, brass, and plastic. I choose the glass. It is a considerable upgrade from the previous sugar container. I walk around to see what else is in the store: batteries, socks (do I need socks?), candles—wow, they have everything here—a crucifix? That’s strange.

A siren rings outside. The guy behind the counter says, “Go to the toilet.” Three ladies and I go to a small bathroom in the back of the shop. The usual booms ensued. One of the women, younger, texts impatiently during the bombs; she whispers, “Eize basse!” (“So annoying!”). We leave the bathroom some moments later, and I pay for the glass sugar container.

When I leave the shop, the street is empty, no more cacophony, only the distant sound of an ambulance and the occasional caw of a crow. I can hear my own steps as I walk. I speed up; I do not want to be on the street much longer. I need to contain my animism, damn this war! I hate her!

About the Author
Growing up in Portugal, my love affair with the English language started early. I binge-watched American TV shows (thanks, 'Friends') and sang along to The Beatles until my family probably wanted to "Let It Be." Our summer road trips across Europe were always set to the Fab Four's greatest hits, and I’m proud to say I’ve actually read all 367 pages of their 2000 Anthology book. Twice. After earning my master's at USC in Los Angeles (where I learned to love traffic and In-N-Out burgers), I made the leap to Israel, thinking, "What could be more interesting than the Middle East?" Spoiler alert: Nothing is. I've since worked in marketing for several high-tech companies, dabbled in PR, and even collaborated with the Jerusalem Post. I’m a bit of a polyglot, speaking five languages, and I’ve published two books. One is a children’s book in Hebrew called "Yara and her Grandfathers," which focuses on the LGBT community. The other is my latest novel about the creation of Tel Aviv, titled "The White City." (Yes, I'm already thinking about the movie rights.) These days, you can find me living in Tel Aviv and working as marketing manager for a cyber security company. Life’s good, and I still find time to occasionally belt out "Hey Jude" in the shower.
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