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Joe Neill’s chimeric cathedrals
Last Wednesday, I attended the vernissage of Joe Neill’s latest exhibition, “Drawings, Something Old, Something New,” at the American University of Paris, where he has been teaching art since 1999.
Joe Neill’s art is characterized by intricate representations of industrial decay and imaginative reconstructions of spaces, exploring the intersections between art, science, and the human experience. Hailing from New Eagle, Pennsylvania, his work blends reality with imagination to evoke nostalgia, psychological trauma, and reflection on changing cityscapes and the passage of time. Influenced by his experiences in Pennsylvania’s rustbelt, Neill’s exploration of space mirrors the complexities of finding one’s place in an ever-changing world.
The industrial context of Neill’s childhood shaped his earliest memories, surrounded by well-running factories that supported livelihoods. The later dismantling of these factories left a void and profound impact on him and others who lived through this transformation. Neill’s work captures the essence of the rise and fall of these industrial complexes, highlighting their beauty in functionality and design, but also their vulnerability to becoming irrelevant if not properly maintained and adapted.
Using 3D design software, Neill creates unique drawings that evoke industrial cathedrals, sometimes transforming them into sculptures. His work blends reality with poetic imagination, serving as a testament to the impact of his experiences while also honoring the industrial heritage. Small painted spheres or cylinders in his drawings create a sense of perspective, playing with the idea of relativity and other scientific concepts, as well as spirituality, as if viewed from a sublime otherness. He uses conceptual ideas to create his surreal architectural spaces, inviting viewers to see the world in a different light, but also to honor something that has received little honoring.
As Neill said in our interview last year, “In my sculptures, I aim to capture the essence of the rise and fall of industrial complexes, highlighting the beauty in their functionality and design, but also their vulnerability to becoming irrelevant if not properly maintained and adapted.”
If you find yourself in town, you have an opportunity to see his work in the university’s gallery on 6 Rue du Colonel Combs, 75007 Paris. His exhibition, “Drawings, Something Old, Something New,” at the American University of Paris will be on view until September 1, 2024. Note that registration is required to enter the building.
For deeper insights into Joe Neill’s artistic journey, you can read my interview with him, or visit his website.
www.joeneill.com
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