Mort Laitner

The Adventures of Tintin in Jerusalem

For as long as I can remember, my study wall has been lined—well, virtually lined—with Hergé’s Tintin adventures. From the snows of Tibet to the sands of Egypt, from the markets of Morocco to the frozen shores of Iceland, Tintin and Snowy have taken me everywhere… even to the Moon!

And yet, one place was missing.

“Strange,” I thought one evening, leafing through the albums. “Tintin’s been to the Belgian Congo, the United States, India, China, the Soviet Union… but never Israel!”

The idea stuck in my mind like a burr. What would the world’s most intrepid reporter make of the Holy Land?

I could almost see it—Tintin, standing solemnly at the Western Wall, his brow furrowed in concentration. Snowy, peering up in confusion:
“Why is my master wearing a kippa and tying those leather straps? And… is that a note he’s hiding in the stones? Could he be working for the Mossad?”

Then, in a flash, Tintin in the olive-green of the IDF, Uzi slung over his shoulder, eyes alert for danger. Moments later, the same young man in a Tel Aviv laboratory, tinkering with mysterious devices—exploding beepers, no less!

My imagination was running wild. And then I remembered—thanks to OpenArt, I could bring this vision to life.

So I did.

And though Snowy somehow ended up looking suspiciously like Snoopy (still working on that part!), there they were at last—Tintin and his faithful companion, winding their way through the narrow streets of Jerusalem. An adventure that even Hergé never drew… until now.

About the Author
Mort Laitner is a writer, storyteller, and lifelong observer of the wonderfully unpredictable human condition. His writing combines humor, Jewish wit, personal experience, and a healthy dose of curiosity about the rapidly changing world around us. A South Florida writer and longtime member of the writing community, Mort writes about everything from technology and artificial intelligence to Israel, Jewish life, aging, friendship, and the everyday absurdities of modern life. His stories often begin with a simple question—and then take the reader somewhere unexpected. Mort believes that good writing should make readers laugh, think, and occasionally say, “I never thought about it that way.” His work has appeared in The Times of Israel and in literary publications and anthologies. Whether writing about Moshe and Mordechai arguing over the latest news, an encounter with artificial intelligence, or the peculiarities of getting older, Mort brings his distinctive voice, humor, and humanity to every story.
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